1960s Research
1960s Research:
Makeup became
more diverse in the 1960s, women started to develop their own style rather than
everyone following 1 trend. Makeup ranged from natural makeup to the bold black
and white eyes, mods and rockers also affected the fashion of the decade.
Although
looks varied, there was still some similar aspects across all styles. Popular
rouge colours were coral, peach, and pink, however, different shades of red
were also available. It had a matte finish, and it was sold in various formulas
including cream, liquid, cake, and powder. Rouge was used to create a natural,
healthy glow to the face while also adding subtle definition so it was applied
to the cheeks, temples, the hairline and under the jaw (Hair and Makeup Artist
Handbook, 2012).
Foundation
was sold in liquid, cream, and powder form with each giving a different level
of coverage from sheer to full and the foundation was matched to the skin tone
as much as possible. Foundation became a lot more natural than in previous decades
and a more sheer coverage was desired which means that the skin could be seen more,
and a natural dewy finish was fashionable (Hair and Makeup Artist Handbook,
2012).
Reds, pinks,
and browns were fashionable lipstick colours at the start of the decade,
however, Corals, pastel pinks, peach, and beige-pink nudes were the most
popular throughout the whole decade. Lipsticks were mostly sold matte, however,
Vaseline or products such as Yardley’s Lip Slickers added a sheen to the lips,
Max Factor also released a product called Moon Drops which helped achieve this
before he released his UltraLucent Creme lipstick in 1965. Lipstick was shaped
like a bullet and long skinny packaging was fashionable, the products that were
added on top of the lipsticks also meant that they had more of a pastel
appearance (Hair and Makeup Artist Handbook, 2012).
Max Factor lipstick colour chart (1962)
Eyebrows
were groomed, shaped and defined using an eyebrow pencil, however, the
thickness and intensity depended on the subculture you were apart of, for
example, people who were part of the hippie subculture often wouldn’t pencil in
their eyebrows and they would leave them very natural. Eyebrows ranged from a
more natural look which was worn by people like Twiggy to more defined, intense
eyebrows which was work by people such as Liz Taylor (Hair and Makeup Artist
Handbook, 2012).
Powder
eyeshadows were matte, but an iridescent or pearlescent finish could be
achieved by using cream, crayon, or liquid eyeshadows. Brands often tried to
match the eyeshadow colour to the eye colour which means that “green and
blue-green eyeshadow was for green and hazel eyes. Blue eyeshadow was for blue
and grey eyes. Greys, beige and brown eyeshadow was for grey and brown eyes”
(Hair and Makeup Artist Handbook, 2012).
Typical
1960s eyeshadow colours - taken from brands colour charts.
Mod
high-fashion eye makeup ideas from Yardley advert (1967).
Regarding eyeliner, trends from the 1950s carried on into the early 1960s and in 1967 there was a trend to wear a line of white eyeliner behind the black eyeliner on the upper lashes, eyeliner could also be used to hide the band of false lashes or to paint on bottom lashes. Eyeliner came in formulas including pencil, cake, and liquid which all came in a variety of colours (Hair and Makeup Artist Handbook, 2012).
Showing
early 1960s eyeliner fashions with the harder-edged socket crease (from a
Dorothy Gray leaflet, c.1963).
Mascara was
now being used to lengthen the lashes while colouring and curling them, it was
sold in various forms including cream which was sold in a tube and cake mascara
was still being used. Some mascaras were waterproof, others were not but
mascara was sold in a variety of colours (Hair and Makeup Artist Handbook,
2012).
Twiggy and
that 60s mod look - a dark defined crease line, false eyelashes and painted
bottom lashes.
There was
also lots of short-lived trends during the 1960s which include: (Hair and
Makeup Artist Handbook, 2012):
· “1961 – The uplifted lip, where the outer corners of the mouth are over-painted with lipstick in an upward turn.”
· “1962 – The Egyptian look with heavily-lined eyes and brows in black pencil. Lips were bold and Nile-green was the eyeshadow colour.”
· “1964 – The exotic look, with theatrically-painted eyes. Designs included butterflies and flowers.”
· “1967 – The Harper’s Bazaar look, where eyes were over-accentuated with false eyelashes, both painted and stuck on.”
· “1969 – the fad for painting on freckles and creating polka dots with eyeshadow on the eyelids.”
All about
the eyes! (Left to Right): Brigitte Bardot with flicks; Mod girl Edie Sedgwick;
Screen beauties Elizabeth Taylor and Sophia Loren.
Music was
extremely popular, and it had a huge influence on the makeup, television helped
this by releasing “new music shows like Ready Steady Go! (first aired in 1963)
and Top of The Pops (first aired in 1964), where the viewer could see their
favourite artists and follow their styles” (Hair and Makeup Artist Handbook,
2012).
Fashion designer Mary Quant released her own makeup brand, which like her clothing, was aimed at young people. The packaging “featured the Quant daisy logo. Products were affordable and came with little “how to” instruction leaflets” (Hair and Makeup Artist Handbook, 2012).
Cheeky
advertising was the mark of Mary Quant makeup, along with cool colour options
and simple packaging (Vogue, June 1968).
Yardley also released a colourful range of products and they used British models such as Jean Shrimpton and Twiggy as its poster girls which influenced women worldwide.
Twiggy was
the face of Yardley, all part of the "London Look"
Yardley
advert with top model Jean Shrimpton, who was the face of the brand for a few
years.
“Heated
Carmen Rollers were available from 1965, making it easier to set/curl the hair
at home instead of going to the hairdressers” (Hair and
Makeup Artist Handbook, 2012).
A popular hairstyle was the bouffant which involved heat setting the hair to create lots of volume then smoothing the top of the hair and holding it in place using a hair lacquer (Hair and Makeup Artist Handbook, 2012).
The bouffant
- lacquered within an inch of its life!
American
singing group The Ronettes, comprised of Estelle Bennett, Veronica Bennett, and
Nedra Talley. (Photo by Hulton Archive/Getty Images c.1965)
Pixie cuts
were very popular, they required a lot less maintenance and they were worn by
celebrities such as fashion designer Mary Quant and actress Nancy Kwan (Hair
and Makeup Artist Handbook, 2012).
Vidal
Sassoon working on his iconic angular hairstyle of the '60s, as worn here by
Mary Quant.
The
flicked-up bob
During the beginning of the 1960s, hair was not left just left down without styling, hair was worn sleek with a little bit of a lift which was often achieved by backcombing around the crown of the head. Hair could be born with or without a fringe and often was parted down the centre, however, towards the end of the decade with the influence of hippie culture, hair could be worn more natural (Hair and Makeup Artist Handbook, 2012).
Cher with
straight, long hair and long fringe.
Popular hair accessories included bows, combs, slides, headscarves, feathers, flowers, wigs, and hair pieces (Hair and Makeup Artist Handbook, 2012).
(Left to Right):
Jean Shrimpton; A scarf from a sewing pattern; And a babushka scarf.
Hair
colouring started to become more popular due to improved off-the-shelf kits and
new techniques “like “frosting”, which is the bleaching of small strands of top
hair all over the head” (Hair and Makeup Artist Handbook, 2012).
There were hundreds
of serial killers active in the 1960s, Charles Manson was one of these; he was
a cult leader, and he created the ‘Manson Family.’ This consisted of roughly
100 followers of Manson and it involved a group of young impressionable girls,
Manson believed he was Jesus and he had prophecies of a race war, the members
of the cult shared a habitual use of hallucinogenic drugs, such as LSD and
magic mushrooms (Biography, 2014).
Manson
Family victim Sharon Tate, 1965. Photo: Screen Collection/Getty Images
Ian Brady and Myra Hindley are 2 of the most infamous killers in history, given the name the “Moor Murderers” and their span of crimes was 1963-1965. Ian Brady had very strong political views and urged Myra to read works by Hitler, he was her first love and soon she was completely under his control. In July 1963, 16-year-old Pauline Reade was kidnapped by Hindley and then they met with Brady and Reade was raped, beaten, and stabbed before being buried, 4 months later 12-year-old John Kilbride disappeared and was never seen again. In June 1964, 12-year-old Keith Bennett disappeared, and he was then raped and strangled before being buried on Saddleworth Moor, his body still has not been found. On Boxing Day in 1964, 10-year-old Lesley Ann Downey disappeared, in October 1965 Hindley’s brother-in-law went to the police after arriving at their home and witnessing Brady killing 17-year-old Edward Evans with an axe, he had also been strangled with an electrical cord. They laughed about the mess and they told David about other victims buried on the moors and David was scared of becoming their next victim so he helped them clean the house before going home and telling his wife and informing the police (Biography, 2014).
Jerome Brudos
was an American serial killer and necrophile who murdered 4 women and he was
given the names “The Lust Killer" and "The Shoe Fetish Slayer.” In
January 1968, Linda Slawson went to sell encyclopedias and he later admitting
to beating then strangling her, he kept her body and would dress her up and he
removed her feet so that he could put them in high-heels then he dumped the
body. Later that year he killed Jan Whitney by strangling her in his car before
having sex with her body, he then dressed up her body and took photographs
before removing her breasts. In 1969 he abducted 19-year-old Karen Sprinker and
kidnapped her before sexually assaulting her and strangling her, he also
removed her breasts and disposed of the body in the river. His final victim was
22-year-old Linda Salee and she was also assaulted then strangled and her body
was placed in the river along with the others (Biography, 2017).
Vaughn Orrin
Greenwood was another famous killer of the 1960s, he was given the name the “Skid
Row Slasher" and he was suspected of killing 13 people. He killed 11
alcoholics and their bodies were found with cut throats, salt around their
bodies and cups of blood, their shoes were removed and placed pointing towards
the body (Murderpedia, No Date).
Edmund Kemper is a serial killer who killed at least 6 women, in 1964 at age 15 he shot his grandmother with a rifle after an argument, he then shot his grandfather and hid the body. He than rang his mother and she told him to go to the police, he told them that he shot his grandmother to see what it felt like and shot his grandfather to prevent him finding out that his wife was dead, he was then diagnosed with paranoid schizophrenia. After being released prison in 1969, he moved away then his killings continued into the 1970s (Biography, 2017).
Edmund
Kemper's mugshot Photo: Getty Images
Bibliography:
Hair and
Makeup Artist Handbook (2012) Women’s 1960s Makeup: An Overview Available
at: https://hair-and-makeup-artist.com/womens-1960s-makeup/ (Accessed: 12th November
2020)
Hair and
Makeup Artist Handbook (2012) Women’s 1960s Hairstyles: An Overview Available
at: https://hair-and-makeup-artist.com/womens-1960s-hairstyles/ (Accessed: 12th November
2020)
Biography
(2014) Charles Manson Available at: https://www.biography.com/crime-figure/charles-manson (Accessed: 15th November
2020)
Biography
(2014) Ian Brady Available at: https://www.biography.com/crime-figure/ian-brady (Accessed: 15th November
2020)
Biography
(2017) Jerome Brudos Available at: https://www.biography.com/crime-figure/jerome-brudos (Accessed: 15th November
2020)
Murderpedia
(No Date) Vaughn
Orrin Greenwood Available
at: https://murderpedia.org/male.G/g/greenwood-vaughn.htm (Accessed: 15th November
2020)
Comments
Post a Comment